Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Still life floral, all kinds of reality flowers oil painting 77

ID: 48083

unknow artist Still life floral, all kinds of reality flowers oil painting  77
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unknow artist Still life floral, all kinds of reality flowers oil painting  77


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unknow artist

  Related Paintings of unknow artist :. | California landscape | Seascape, boats, ships and warships. 115 | A San Sebastian to it indigena | Arab or Arabic people and life. Orientalism oil paintings 416 | Still-Life with Books |
Related Artists:
William Henry Pyne
English Painter, 1769-1843 English painter, illustrator and writer. He trained at the drawing academy of Henry Pars (c. 1733-1806) in London and first exhibited at the Royal Academy in 1790. His drawings were almost always pen, ink and colour wash (e.g. Gossip at the Cottage Door, 1794; London, BM). His most characteristic works are the illustrations for the books Microcosm (1803-8) and The Costume of Great Britain (1808) in which he successfully placed groups of well-observed characters in picturesque settings. Pyne had been a founder of the Old Water-Colour Society in 1804 but resigned in 1809 when it refused to increase its membership to greater than 24 artists.
Maufra Maxime Emile Louis
Nantes 1861-Ponce-sur-Loir,Sarthe 1918
Gustave Loiseau
French, 1865-1935 French painter. He was apprenticed first to a butcher and in 1880 to a house painter. It was not until 1887, when he received a small inheritance, that he was able to devote himself to painting. He spent a year studying modelling and design at the Ecole des Arts D?coratifs in Paris and then entered the studio of the French landscape painter Fernand Just Quignon (b 1854) for six months in 1889. After settling in 1890 in Pont-Aven in Brittany, where he met the painters Maxime Maufra and Henri Moret (1856-1913), he produced such carefully executed works as the Green Rocks (1893; Geneva, Petit Pal.). It was not until 1894, however, that he met Gauguin on the latter return from Tahiti, and though he did not accept Gauguin synthetist ideas the encounter led to a stronger structure and freer brushstrokes in his subsequent work.






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